Heart bad
Claudio Scalise boy "reckless" overwhelmed by debts. Esther Cipriani, introverted girl who lives secluded in the house after a road accident that forced her to a wheelchair. August, a suburb of Rome, him, after an attempted robbery at a tobacconist's shop, trying to escape from the police, taking refuge in the apartment of her, after impersonating a technical Sip. The girl's mother, returned from an errand, in a panic has a hysterical reaction that leads to chase the woman and Claudio hold his daughter hostage, barricaded in the house. The police, who was chasing her, lurking outside the house and invites him to leave and establish the young. The operation is coordinated and implemented by the Commissioner, starring Massimo Ghini, who is initially mislead by a misunderstanding of staining Claudio defamatory accusation, then fortunately clarified. The Commissioner is a figure Central in the course of the story, not only for the communication channel that represents, but also the focus of which is served in that comic character who manages to create improbable sketch with the alleged offender.
will pass so different hours, during which in a few square meters happen virtually all phone calls from desperate outbursts, extreme gestures e. .. incursions from the outside, but also outside there will be an evolution on the consideration of this guy, first seen as a mere criminal and then re-evaluated as an outsider eager to social redemption. The idea of \u200b\u200bcalling a man of outstanding journalism, Massimo Salvadori, is actually Esther, having understood, perhaps for the first inner drama of his "kidnapper", determined to make Justice was given the opportunity to tell his version of events. But you can really trust? Or you are facing the umpteenth episode of looting the media?
Meanwhile, the two boys begin to exchange confidences or rather their respective weaknesses, trying to bring together two diametrically opposed worlds, but terribly in need of being heard. Unfortunately things, which seems destined to lead for the better, suddenly degenerate because of the arrival of a terrible news.
The most moving scene, for his dramatic simplicity, naivety I would say, is perhaps the latest, in a line that says everything . Says who was Claudio Scalise. Claudio is a fragile boy who, despite the Roman dialect filled with screams and curses, he can also stop and think and come up with banal observations on the relationships between people, the real knowledge about them and about life in General. If what was to transpire in the film was a sense of siege, it is clear that there are times when what passes is anything but oppression, but the speech is another. The focus is largely on the role of the media, manipulation of facts, ' siege that they themselves put in place, sometimes. The two protagonists are two lonely souls, caged by the circumstances of life, impatient about the future that awaits them and why cling to their dream, the hope of a better life. The frenzy of Claudius and the calm of Esther are just as apparent as the evil him, that does not really exist. It 'an invitation to all to put a hand on your heart, to ponder our assessments and to recognize what might have been mystified to do just sensationalism at the expense of their professionalism is a role that has consciously chosen to play. Where, however, the film does best is definitely the human side, which is supported by the pang in my heart that causes the final reaction of Esther to the absurdity of the events, a sign that at that hour (or so) representation of these two creatures have truly built - and shared - something.
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