House keys
Gianni (Kim Rossi Stuart) lost by a young companion, who died in giving birth to their son, Paolo (Andrea Rossi) was born under a disability, who refuses to see. Fifteen years later, he sees for the first time, dovendolo accompanied to Germany to see a specialist, but things did not go exactly as planned.
The two players will open and close to each other intermittently, steps forward and steps back, that will lead them in any case a deeper insight, a reduction of barriers to naturally raised. A report strongly unstable, which is desperately trying to lay the foundations, even if the future is very alarming, being characterized by uncertainty. There is much realism in the scenes and never mere compassion to those that struck me is more complicity between the two, as when smoking or pretend play while taking a bath in the tub, or gestures of profound tenderness, as the hugs, caresses, the attention of bodies in contact, kisses and attention.
Kim Rossi Stuart is credible in this role, covered with great simplicity and naturalness, but marked by dramatic peaks, never exaggerated.
The tear dropped in a precise time: the words of Paul refer to the brother, in a mixture of incredible sweetness and bitterness. As you can exchange roles, simply by changing perspective ...
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